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| https://london.sonoma.edu/ |
Jack London is another favorite here at Deliberately Aimless. The Call of the Wild is among my favorite books, and others of London’s aren’t far behind. After having read The Sea Wolf, I was not disappointed, and upon completion it landed itself in perhaps the upper ten percent of books that I have read.
London’s uncanny ability to write powerful dialogue is, in many respects, unmatched, and is on full display in The Sea Wolf. This ability is never more clear than in another of his works, The Iron Heel, in which the characters deliver forceful, compelling, and, an oft overlooked point, believable diatribes. In The Iron Heel, we find the main character, Ernest Everhard, facing a consistent onslaught from the ruling class, and constantly having to defend his socialist point of view. He does this via quite convincing arguments, lent additional beauty and fluidity the more that London’s own socialist ideals show through. While one may have qualms with the viewpoint put forth by the character Everhard, the reader is nevertheless forced to admit that London consistently imbues his characters with a ferocity and self-assurance driven home by their convincing words.
I use the illustration of The Iron Heel not to belabor the point but because I found The Sea Wolf to be quite its equal. I also found myself disagreeing with certain viewpoints of characters, though this certainly did not take away from the joy of getting lost in their dialogue.
In The Sea Wolf, we meet our titular character and antagonist, Wolf Larsen, after he picks up our protagonist, Mr. Van Weyden, from a shipwreck in the crossing of San Francisco Bay. We are immediately given insight into Larsen’s character by his refusal to take Van Weydon, or “Hump,” as Larsen and the crew take to calling him, back to shore or to let him board a passing vessel. It seems that Hump has been forcibly added to the crew of “The Ghost,” a seal-hunting vessel bound for the north Pacific, under the captainship of a very physically and mentally imposing Larsen.
I don’t want to give anything away as far as the core plot is concerned, and would heartily recommend you read The Sea Wolf, but I do want to dissect both Larsen’s and Hump’s moral fortitude, character, virtue, whatever you wish to call it. Larsen finds himself intrigued by Hump, a man who hails from the softer side of society and who has made a career as a writer. Larsen, though coarse and brutal, is self-taught in matters of philosophy and literature and soon begins engaging in debates about the meaning of life with Hump.
Larsen is of the opinion that this life is all that we get; there is nothing to follow. He argues, essentially, that there is no soul in the human make up, but rather that we are all driven by a desire to fulfill our own needs and wants, regardless of what that means for our fellow man. Hump argues against this, though it is questionable whether Larsen ever gives serious consideration to an alternative viewpoint, such is the state of his ego. While I disagree with Larsen’s view, I do want to examine more closely one of his and Hump’s conversations.
In said conversation, Hump references The Rubaiyat, an eleventh or twelfth century poem by Omar Khayyam, seeing that it aligns with Larsen’s view of the finality of this life. Larsen, it turns out, is unfamiliar with said work.
So let's examine some background. The Rubaiyat is a poem that was originally written in Persian, but has since been translated by several different scholars through the centuries. Most translations result in a 101 verse poem on the meaning of existence, with four lines per verse. In it, Khayyam explains his view that because we are given this life only, we should essentially maximize our pleasure while on the earth, which he proposes to do by drinking more wine. In essence, Khayyam is arguing for Hedonism. As an admirer of the Stoic philosophy, I have obvious qualms with his contention that the highest aim is to fulfill one’s desires. However, I take more issue with Khayyam's claim of the finality of this life, though he does illustrate his point with some beautiful verse, one of which I have reproduced below.
When You and I behind the Veil are past,
Oh, but the long, long while the World shall last,
Which of our Coming and Departure heeds
As the Sea’s self should heed a pebble-cast.
Verse XLVII
I chose this particular verse both because of its reference to the sea and because I agree with it, at least in part. I admire the sense of humility that it conveys, its understanding that when we have finished this life we quite possibly will be remembered no more, except by a vanishingly small number of people. It lends a certain grounded perspective to life and speaks to our inherent limitations in understanding. I don’t, however, agree with Khayyam’s (and subsequently Larsen’s) conclusion, in both the above verse and the poem at large, that essentially all is for naught, that life ends with the grave, and therefore we should indulge ourselves. Despite this, I did enjoy the poem itself, beautifully written as it is.
To bring it back to the book, once Hump fills him in on The Rubaiyat, Larsen immediately shows an affinity for the viewpoint espoused in it. Larsen’s self-assurance is fiery, and again, it is unclear throughout whether he ever softens or questions his stance on the matter. This certainly makes for a compelling character, though, in that he remains a bit of a mystery, it is difficult to divine his motives, and therefore he is imminently unpredictable.
Hump is a different matter entirely. At first timid and downright shocked by the behavior he witnesses not only from Larsen, but from the sealing crew at large, it takes him a while to find his sea legs, as it were. However frustrating he may find them to be, Hump gains a good deal from both his physical hardening aboard the ship as a mate as well as his sporadic rounds of mental sparring with Larsen.
In his own words (Van Weyden/Hump is the narrator), when speaking of a grievance with the cook aboard, Hump says, “Under all his cowardice there was a courage of cowardice, like mine, that would impel him to do the very thing his whole nature protested against doing and was afraid of doing.” This statement perfectly encapsulates the transformation that Hump must undergo throughout the narrative. Hump must overcome the “long years of bookish silence [which] had made me inattentive and unprepared.” Thrust into a vicious and violent world wholly unprepared, he quickly realizes that he must come to truly understand his own nature if he is ever to master his fears made manifest in the person of Wolf Larsen.
There are some other twists and several other characters of note that I have intentionally omitted from my review, including a budding romance and a struggle for survival, all in an effort to not take away from the enjoyment of the story. I heartily recommend reading The Sea Wolf to any and all hoping to learn a little something about human nature and, possibly, about themselves.
